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Kantha and Sujani Work

Bengal, Bihar

Origin & History

Originating in rural Bengal (now West Bengal and Bangladesh), Kantha was a form of functional embroidery used to recycle old sarees and dhotis into quilts or throws (Kantha = “patched cloth” in Sanskrit). It dates back over 500 years and reflects folk art, religious motifs, and domestic stories.

 

Sujani Embroidery:

Evolving from similar utilitarian traditions in Madhubani and Muzaffarpur (Bihar), Sujani (from ‘Su’ = easy & ‘Jani’ = birth) began as ritualistic birth blankets made by women for newborns, symbolizing care and spiritual protection.


Community & Practitioners

Kantha:Practiced by rural Bengali women, especially among the Rajbanshi and Namasudra communities.

Sujani:Created by Mahadalit women, particularly from the Musahar, Chamar, and Dom communities in northern Bihar.

 

Geographical Spread

Kantha:Predominant in Murshidabad, Birbhum, Nadia, and Bardhaman in West Bengal

Sujani: Practiced in Madhubani, Darbhanga, Muzaffarpur, and Sitamarhi in Bihar

 

Techniques & Materials

· Base Fabrics: Kantha: Layers of old cotton sarees or dhotis, now also used on silk, tussar, or mul cotton. Sujani: Base of natural cotton, usually white or off-white

· Threads Used: Traditionally threads drawn from old garments. Now replaced by colored cotton, silk, or mercerized threads

· Stitches: Running stitch is central to both. Also includes darning, satin, chain, and herringbone (in Sujani).


Contemporary Use & Notable Brands

Designers: Anavila, Sabyasachi, and Gaurang have used Kantha in stoles, jackets, sarees, and home décor.

 

Cultural Significance & Variations

  • Kantha:
    • Reflects mythology, village life, flora-fauna, and female experiences
    • Used in weddings, infant care, and as heirlooms
    • Varieties include Lep Kantha (quilts), Sujni Kantha (coverlets), Baiton Kantha (wraps), Durjani Kantha (wallets), and Oaar Kantha (pillows)
  • Sujani:
    • Each piece narrates a story or social theme , empowerment, environment, caste, gender
    • Motifs of women working, goddesses, trees, birds, and birth imagery are common
    • It’s both artistic and activist

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